"I hate the idea of every aspect of our work being compared with those of the Western world. It is demeaning to us as individuals and demeaning to us as a country. Whereas we do not ever want to take anything away from the achievements of those that function beyond Indian shores, I feel that this penchant for equating us continuously with a Western synonym, is objectionable and untoward. Shah Rukh the Tom Cruise, Abhishek-Aishwarya the Brangelina, Mithun the John Travolta of India, are synonymous with a culture that reeks of our abject submission to our colonial past. We are our own people now, with our own standing and relevance and very proud of it. I have not seen Nicole Kidman in The Hours and have no desire to fall into this unnecessary exercise of comparison. To me the response from the people of my country is the final verdict. I am interested in what they like or dislike. Nothing more."
This was the answer from Mr. Amitabh Bachchan, When a journalist asks "Your performance in Paa came across like Nicole Kidman’s Oscar-winning performance as Virginia Woolf in The Hours where you could not make out it was her."
I feel like whistling, clapping and applauding this statement like i used to do for every dialogue of his 'angry young man' days. I feel this applies to our thinking beyond movies, and in general we are obsessed with the western culture. Bachchan saab, thanks for putting the thoughts so succinctly.
Dilwale Dulhaniya Le Jayenge - II
Warning : If you have not seen DDLJ, you might miss the fun.
Raj : simran, hamein bhagna hi hoga. Ye log hamari shadi nahi hone denge simran.
Simran : Ye tum kya kah rahe ho raj. Tum to kahte the ki tum yahan kisi ka dil todne nahi, dil jeetne aaye ho. Hamari shadi tabhi hogi jab babuji mera hath khud tumhare hathon mein denge. Tumhara irada kyun badal gaya raj?
Raj : simran, main janta hun tum kya soch rahi ho. Tumhe lagta hai ki main bahut hi awara kism ka ghatiya ladka hun. Par aisa nahi hai simran, main janta hun ki ek hindustani ladki ki izzat kya hoti hai. Maine kabhi sapne mein bhi tumhe bhagane ke baare mein nahi socha tha.
Simran : phir ab aisa kya ho gaya raj ? Yaad hai tumhari maa kya kaha karti thi tumse. "Beta, zindagi ke har mod pe tumhe do raste milenge ek galat aur ek sahi. Galat rasta asaan hoga, tumhe apni taraf kheenchega. Aur jo sahi rasta hoga, ho sakta hai usmein tumhe kadi mushkilon ka samna karna pade, bahut taklif mile; par yaad rakhna akhir mein jeet tumhari hi hogi."
Raj : wo sab to theek hai simran lekin .......
Simran : lekin kya raj ? Ab to tum mere babuji ko bhi jan gaye ho. Thode kadak mijaj hain, par agar tum roj hamare ghar kaam karne aaoge, maa ka rasoi mein hath bataoge, chutki pe apna fraud gentleman image jhadoge, buaji ke liye saree kharidkar unhe maska lagaoge. Subah 5 baje uthkar, dhoti pahankar, kabootaron ko dana daloge; to babuji tumse jaroor impress ho jayenge raj. Tum mere liye itna bhi nahi kar sakte !
Raj : simran, tum galat samajh rahi ho. Ghar ke kaam karne mein mujhe koi aitraj nahi hai (Main aur koi kaam kar bhi nahi sakta) Aur ladkiyon (Auraton) ko dana dalne mein bhi mujhe koi problem nahi hogi (Akhir tumko bhi to aise hi pataya tha), Rahi baat babuji ki.. simarn wo sab to main kar hi raha hun, roj subah subah dhoti pahankar kheton mein jata hun, kabootaron ko dana dalne. Ab to wahan ke kabootar bhi "tujhe dekha to ye jana sanam..." gane lage hain. Aur babuji ...... mujhe apne pyaar pe poora bharosa hai ki aaj nahi to kal wo maan jayenge.
Simran : Phir tum kis baat se ghabra rahe ho raj ? You are "The Raj Malhotra" (Who failed in a london university) yaad hai tumhe; jab tumne mujhse poocha tha.. pyar karti ho mujhse? bharosa hai mujh par ? to maine tumse kya kaha tha
Raj : Yaad hai simran, sab yaad hai. Par jitna bharosa tumhe is Raj par hai, utna hi bharosa mujhe us Raj par.
Simran : Kya matlab ???
Raj : simran, yeh sab jo tumhe yaad hai, wo ddlj-I tha. Ab ddlj-II chal rahi hai. Aur ismein tum aur tumhare babuji punjabi nahin, marathi hain, aur main ek north indian. MNS ne press conference mein yeh elaan kiya hai ki keval 'sons of the soil' hi marathi ladkiyon se shadi kar sakte hain. Outsiders ne hamari naukriyan to cheen hi li hain, chokriyan ham nahin cheenne denge. ab tum hi batao simran main kya karun.. mujh jaise ek north indian ka vanmanoos se shadi karna asaan hai, par ek marathi manoos se nahi.
Simran : ye kya kah rahe ho raj. Raj hi mere raj ka dushman ban gaya ?
Raj : han simran, hamare pass koi aur rasta nahi hai, hamein bhagna hi hoga. hamein bhagna hi hoga simran.
Before they could run away after seeking the blessings of his pops and her babuji, MNS got the news. They came with lathis and guns, kuldeep also joined them and started beating everybody. Raj (malhotra), his pop, her babuji, ajeete and everybody. No gurror ko lalkarna buisness worked to awake the hidden fighter in Raj and all of them got thrashed brutally by the MNS.
In between all this mayhem, raj found a chance to utter his final dialogues
Raj : simran, maine pahle hi kaha tha tumse, ki chalo bhag chalte hain. Tum hi nahi mani. Par jo bhi hua, shayad sahi hua simran. Ye (MNS wale) hamare neta hain, ham inhe vote dekar parliament bhejte hain. Hamein koi haq nahin banta ki ham apni khushi ke liye inke samman ko thes pahunchayein. Akhir ye hamare neta hain, hamara bhala bura hamse behtar samajh sakte hain. Tumahri shadi mujh jaise kisi awara ladke se nahi ho sakti. To kya hua agar ye awara tumhein diwanon ki tarah pyar karta hai, to kya hua agar use tumhare alawa aur koi chehra dikhai nahi deta. To kya hua simran, to kya hua ..... pyar sab kuch to nahi hota na.
And he hops into the local train without simran (since there was MNS, it was mumbai. And since it was mumbai, there was local train). Simran is crying and pleading to the MNS workers. In fact everybody is pleading.. that fellow kuldeep also starts feeling sympathetic towards her. But MNS is made of tough people. Their resolve could not be broken by some stupid romance.. to kya hua agar (oh forget it.. these corny dialogues suit only a hippy looking, stammering srk)
Now, there are two options for the climax :
The first is that MNS will not let simran run towards the train. So, in that case this movie may need to be titled differently. "Soil-wale dulhaniya le jayenge"
The second option is that MNS heart (I presume they also have heart, head, brain; please avoid the debate) melts and the leave simran's hand saying... " ja simran ja, jee le apni jindagi; is ladke se jyada pyar tujhe aur koi nahi kar sakta" . simran will run, raj will hang at the train gate (he was hanging from the gate anyway.. mumbai local remember). But simran will still be not able to make it (It is tough enough to catch a standing local, forget a running one. What were you thinking simran). And mumbai will "move-on" from this tragedy. After-all 'bade bade (pra)deshon mein aisi choti choti baatein hoti rahti hain"
So irrespective of the two possible climaxes, the movie will still be titled " Soil-wale dulhaniya le jayenge"
Disclaimer : The author was watching DDLJ, when he started reading a news regarding marathi pride. So he had a deadly cocktail for his mind, and the result was a nasty hangover. So, if anybody is offended, please forgive the author for his drunken like state. And yeah... when i said MNS, i meant Marathi Nari Sena, not that MNS. You controversy loving sickos :P
Raj : simran, hamein bhagna hi hoga. Ye log hamari shadi nahi hone denge simran.
Simran : Ye tum kya kah rahe ho raj. Tum to kahte the ki tum yahan kisi ka dil todne nahi, dil jeetne aaye ho. Hamari shadi tabhi hogi jab babuji mera hath khud tumhare hathon mein denge. Tumhara irada kyun badal gaya raj?
Raj : simran, main janta hun tum kya soch rahi ho. Tumhe lagta hai ki main bahut hi awara kism ka ghatiya ladka hun. Par aisa nahi hai simran, main janta hun ki ek hindustani ladki ki izzat kya hoti hai. Maine kabhi sapne mein bhi tumhe bhagane ke baare mein nahi socha tha.
Simran : phir ab aisa kya ho gaya raj ? Yaad hai tumhari maa kya kaha karti thi tumse. "Beta, zindagi ke har mod pe tumhe do raste milenge ek galat aur ek sahi. Galat rasta asaan hoga, tumhe apni taraf kheenchega. Aur jo sahi rasta hoga, ho sakta hai usmein tumhe kadi mushkilon ka samna karna pade, bahut taklif mile; par yaad rakhna akhir mein jeet tumhari hi hogi."
Raj : wo sab to theek hai simran lekin .......
Simran : lekin kya raj ? Ab to tum mere babuji ko bhi jan gaye ho. Thode kadak mijaj hain, par agar tum roj hamare ghar kaam karne aaoge, maa ka rasoi mein hath bataoge, chutki pe apna fraud gentleman image jhadoge, buaji ke liye saree kharidkar unhe maska lagaoge. Subah 5 baje uthkar, dhoti pahankar, kabootaron ko dana daloge; to babuji tumse jaroor impress ho jayenge raj. Tum mere liye itna bhi nahi kar sakte !
Raj : simran, tum galat samajh rahi ho. Ghar ke kaam karne mein mujhe koi aitraj nahi hai (Main aur koi kaam kar bhi nahi sakta) Aur ladkiyon (Auraton) ko dana dalne mein bhi mujhe koi problem nahi hogi (Akhir tumko bhi to aise hi pataya tha), Rahi baat babuji ki.. simarn wo sab to main kar hi raha hun, roj subah subah dhoti pahankar kheton mein jata hun, kabootaron ko dana dalne. Ab to wahan ke kabootar bhi "tujhe dekha to ye jana sanam..." gane lage hain. Aur babuji ...... mujhe apne pyaar pe poora bharosa hai ki aaj nahi to kal wo maan jayenge.
Simran : Phir tum kis baat se ghabra rahe ho raj ? You are "The Raj Malhotra" (Who failed in a london university) yaad hai tumhe; jab tumne mujhse poocha tha.. pyar karti ho mujhse? bharosa hai mujh par ? to maine tumse kya kaha tha
Raj : Yaad hai simran, sab yaad hai. Par jitna bharosa tumhe is Raj par hai, utna hi bharosa mujhe us Raj par.
Simran : Kya matlab ???
Raj : simran, yeh sab jo tumhe yaad hai, wo ddlj-I tha. Ab ddlj-II chal rahi hai. Aur ismein tum aur tumhare babuji punjabi nahin, marathi hain, aur main ek north indian. MNS ne press conference mein yeh elaan kiya hai ki keval 'sons of the soil' hi marathi ladkiyon se shadi kar sakte hain. Outsiders ne hamari naukriyan to cheen hi li hain, chokriyan ham nahin cheenne denge. ab tum hi batao simran main kya karun.. mujh jaise ek north indian ka vanmanoos se shadi karna asaan hai, par ek marathi manoos se nahi.
Simran : ye kya kah rahe ho raj. Raj hi mere raj ka dushman ban gaya ?
Raj : han simran, hamare pass koi aur rasta nahi hai, hamein bhagna hi hoga. hamein bhagna hi hoga simran.
Before they could run away after seeking the blessings of his pops and her babuji, MNS got the news. They came with lathis and guns, kuldeep also joined them and started beating everybody. Raj (malhotra), his pop, her babuji, ajeete and everybody. No gurror ko lalkarna buisness worked to awake the hidden fighter in Raj and all of them got thrashed brutally by the MNS.
In between all this mayhem, raj found a chance to utter his final dialogues
Raj : simran, maine pahle hi kaha tha tumse, ki chalo bhag chalte hain. Tum hi nahi mani. Par jo bhi hua, shayad sahi hua simran. Ye (MNS wale) hamare neta hain, ham inhe vote dekar parliament bhejte hain. Hamein koi haq nahin banta ki ham apni khushi ke liye inke samman ko thes pahunchayein. Akhir ye hamare neta hain, hamara bhala bura hamse behtar samajh sakte hain. Tumahri shadi mujh jaise kisi awara ladke se nahi ho sakti. To kya hua agar ye awara tumhein diwanon ki tarah pyar karta hai, to kya hua agar use tumhare alawa aur koi chehra dikhai nahi deta. To kya hua simran, to kya hua ..... pyar sab kuch to nahi hota na.
And he hops into the local train without simran (since there was MNS, it was mumbai. And since it was mumbai, there was local train). Simran is crying and pleading to the MNS workers. In fact everybody is pleading.. that fellow kuldeep also starts feeling sympathetic towards her. But MNS is made of tough people. Their resolve could not be broken by some stupid romance.. to kya hua agar (oh forget it.. these corny dialogues suit only a hippy looking, stammering srk)
Now, there are two options for the climax :
The first is that MNS will not let simran run towards the train. So, in that case this movie may need to be titled differently. "Soil-wale dulhaniya le jayenge"
The second option is that MNS heart (I presume they also have heart, head, brain; please avoid the debate) melts and the leave simran's hand saying... " ja simran ja, jee le apni jindagi; is ladke se jyada pyar tujhe aur koi nahi kar sakta" . simran will run, raj will hang at the train gate (he was hanging from the gate anyway.. mumbai local remember). But simran will still be not able to make it (It is tough enough to catch a standing local, forget a running one. What were you thinking simran). And mumbai will "move-on" from this tragedy. After-all 'bade bade (pra)deshon mein aisi choti choti baatein hoti rahti hain"
So irrespective of the two possible climaxes, the movie will still be titled " Soil-wale dulhaniya le jayenge"
Disclaimer : The author was watching DDLJ, when he started reading a news regarding marathi pride. So he had a deadly cocktail for his mind, and the result was a nasty hangover. So, if anybody is offended, please forgive the author for his drunken like state. And yeah... when i said MNS, i meant Marathi Nari Sena, not that MNS. You controversy loving sickos :P
Golden Jubilee !!
Sunday used to be so different in my early childhood. All my cousins, aunts, uncles used to come to our house early morning. I used to look forward to each of those mornings, because it was a refreshing change from the routine school going week days. It was a perfect example of a big fat indian family get together. Now if you are thinking, we used to have a family function every sunday, you are wrong. Our joint family is big, but not that much :)
They came to our house to watch Mahabharat. In those days, Doordarshan signal was not available in the outskirts of the city where my cousins live. But such was the craze of Mahabharat, that they used to come to our place every sunday morning, sharp at 10 AM. Earlier was fine, but nobody was late. It is so hard to believe that people can become so crazy about a TV serial. Especially when i know that none of them are a TV serial addict now. But Mahabharat was no ordinary TV serial. If i believe my parents and elders, traffic used to stop from 10 AM to 11 AM, sunday mornings used to be a family get-together not only for us, but most of the joint families.
And speaking of the popularity of the TV serials, Mahabharat is probably the biggest TV serial made in the history of indian television. But this was not the only hit from Doordarshan. Ask any person who was watching TV in late 80s and early 90s, they will get a twinkle in their eyes when you mention Doordarshan. No matter what age, what culture one belongs to; DD had something for everybody. Ramayan and Mahabharat are iconic mythology serials in indian television history. Programs like jungle book, surabhi, bharat ek khoj, chanakya, dekh bhai dekh, hum log, buniyad, vyomkesh bakshi are still remembered fondly. And the ads, can any one ever forget 'mile sur mera tumhara' ?
What about news? I remember when DD used to telecast india's cricket matches, an hour break used to come for news (general news + parliament news in hindi and english). It was very tough on me to bear those 1 hours, and god forbid if i miss sachin's batting, all hell broke loose. In one of those frustrated moments i once asked, why can't they show news after match? I never understood it when my dad said that news is the most important thing in TV and should never be compromised, No matter what is the price one has to pay.
Sadly that is what the present media has done. Today the 24x7 news channels look more like entertainment channels. We do get tit-bits of news, but that is packaged in a hysteria making substance and presented by loud mouth journalists. The debates shown on the most of the news channels are like DOSA. It is a term i read in an article published in 'The Hindu'. It means Decision Oriented System Analyses. Most of the channels already have a conclusion for their debates, they just want the experts to fill in with some facts. That defies the logic of journalism. It has to be dispassionate, it should respect the audience intelligence and let them form an opinion based on the news provided by them.
That is where DD has still maintained the dignity of a news channel. The news reader are sober in appearance, in mannerism, not over the top, present the news dispassionately and do not sensitize the issues unnecessarily. I would say, if you care for news, DD news is the best place for you.
I agree, that Doordarshan has lost its sheen in presence of private channels. But if you are asked to recall a landmark serial; chances are that it will be from Doordarshan. The rich history of Doordarshan makes me believe that it can still produce quality programs. It is different from private channels in the sense that while serving entertainment, it also has to contribute to public welfare. This makes DDs jobs harder than the private channels, but the romantic optimist inside me thinks that it will manage.
Kuch to baat hai hummein, Jo hasti mitti nahin !
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